C.
Naremore quotes Mike Davis saying that the Chandler-Marlowe voice
was a "romanticized simulacrum of the writer's relationship
to studio hacks and moguls." In what ways do you find this
"voice" presented and visualized in Double Indemnity?
Give specific examples.
D.
Explain and elaborate on this quote from Naremore: "Because
of Wilder, Double Indemnity is profoundly indebted to Weimar
Germany."
E. How does Naremore
compare the Keyes/Neff relationship with that of Neff/Phyllis?